Name | Thema/Titel |
---|---|
Franziska Gerloff | Between art object and medical model. The anatomical Venus as an object of the Wunderkammer |
Stefan Eigl | The year 1912. Interactions of the Central European avant-gardes. Between stylistic pluralism and international cubism |
Anna Henningson | Paintings in attics: Medieval wall paintings under transformation |
Caroline List | The animal in the book. The German-language translations of Conrad gessner's "Historae Animalium" from the 16th and 17th centuries in the mirror of time |
Sarah Nienas | Function and significance of late medieval polychromy (working title) |
Frank Werner | Bauhaus Design in the "Third Reich". The careers of Moholy Nagy's metal class in industry and handicrafts |
Anna Dziwetzki | Visual Artists and the "Germanisation" of Wartheland from 1939 to 1945 |
Daniela Hönigsberg | Material 'Self-Organisation'. The use of self-organised software in digital artworks |
Angelica Lanzilotti | Shadow, Night and Visibility. Iconographic and Theological Aspects of Light in Early German Painting |
Gunnar Saecker | Ludwig Gies. Drawings |
Jahr | Name | Titel |
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2019 | Helge Kuppe | The Coronation Style of the Archbishop of Mainz. The works of Madern Gerthener's building workshop for Johann II of Nassau |
2018 | Sabine Sense | Manfred Kuttner (1937-2007) - Farbe flieg. Monograph with catalogue raisonné |
2017 | Antonia Putzger | Cult and Art, Copy and Original. Case studies on appropriation, repetition and replacement of altarpieces in the early modern period |
2016 | Li Töppe | Repair and Transform. Plastic surgery as an artistic practice |
2015 | Thomas Lutgen | Lumen Spatiorum. The original room colouring of 13th century sacred buildings. Studies with special consideration of the Liebfrauenkirche in Trier |