Seminare:

• Selected Chapters on Sound Synthesis, Processing, Spatialization, and Multi-parameter Control
• Metaperspectives of Sound Design with the Computer

Seminare:

• Techniques and History of Electroacoustic Music
• Improvisation with/for Computers

Seminare:

• Hybrid sound interfaces to explore natural phenomena
• Beyond sonification: a data-driven ML composition

Seminare:

• Designing Systems for Musical Performance: Language as an Interface
• Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions

Seminare:

• Invocations of Space and their Discontents
• Noise :: Feedback :: Noise

Seminare:

• Local Networks for Musical Interaction in Ensembles
• Online Jamming and Concert Technology

Seminare:

• Theory: Embodied Musical Interaction
• Praxis: Interactive performance programming in MaxMSP

Seminare:

• Musique mixte
• Sound in its Own Space

Seminare:

• 3D sound, environments and human agency in acousmatic music
• Live electroacoustic performance and interactive VR

Seminare:

• Spatial practices I - Komponieren mit Skulpturalen Klangphänomenen in der Computermusik
• Spatial practices II - Raumkonzepte in den Auditiven Künsten - Towards a Shared Perceptual Space (SPS)

Seminare:

• Grundlagen und Anwendungen Corpusbasierter Concatenativer Klangsynthese
• Projekte mit Interaktiver Corpusbasierter Concatenativer Klangsynthese

Seminare:

• Algorithmische Komposition unter Live-Bedingungen
• Aktuelle Aspekte musikalischer Virtualisierung

Seminare:

• Bicrophonics Theory
• Bicrophonics Practical Workshops

Seminare:

• The Acoustic and Psychoacoustic Basis of Digital Synthesis and Signal Processing
• Soundscape Composition as Context-based Creation

Seminare:

• Sound and Materials
• Sound in Music and Sound Art

Seminare:

• A Systemic Approach to Mixed Music: Composition, Performance, Aesthetics, Techniques
• The Studio as Composition Tool: Methods and Music

Seminare:

• Electronic music in live performance
• Signal processing techniques for real-time computer music

Seminare:

• A History of Experimental Music in 10 ½ Chapters
• Hardware Hacking

Seminare:

• Terminus as a Point of Departure
• Electroacoustic Music: Origins – Technology – Aesthetics

Seminare:

• Digital re-enactments of scores originally requiring analog electronics
• Time and space perceptions in sound installations

Seminare:

• The invention of artificial sound in the 20th century
• Electroacoustic music in all its forms

Seminare:

• Multichannel Sound Composition
• Ear Training for Computer and Electronic Music

Seminare:

• Feedback
• Transduction

Seminare:

• Composition in the Arts
• Seminar in Live Electronics

Seminare:

• Repertoire and Performance Practice of Acousmatic Music
• Aesthetic Trends in Acousmatic Music

Seminare:

• Living Electronic Music
• Organising Electroacoustic Music

Seminare:

• In Between Time and Space
• Sound Describing Space vs Space Describing Sound

Seminare:

• Audio Workstation Design & Implementation
• Building Tools For Musicians

Seminare:

• Computer music and digital synthesis
• Sound and Space

Seminare:

• Dynamical Networks of Sonic Interactions
• Composing in an Ecosystemic Perspective

Seminare:

• Basics of real-time interactive audio processing
• Real-time interaction with recorded sounds