Epistemic accesses and biases in technologically-enhanced learning and performance of complex piano music – the case of Iannis Xenakis (Prof. Dr. Pavlos Antoniadis, Präsentation Forschungsprojekt)
After a brief overview of the research outputs during my Humboldt Stiftung / Foundation Fellowship at the Audio Communication Group of TU Berlin, I will focus on forms of epistemic access and biases in technologically-enhanced learning and performance of complex piano music. The forms of epistemic access in question include introspection, embodied cognitive theories, computation of multimodal performance data, interactive system development, performance augmentation and Human-AI comprovisation. Epistemic biases refer to a priori conceptions and models of human understanding, learning, knowledge and judgment, which could constrain both systems’ architectures as well as human-in-the-loop components of the above-mentioned applications. As an homage to the Iannis Xenakis Centenary 2022, my case studies will mostly feature the French-Greek composer's solo piano works, with an emphasis on the development of the interactive system GesTCom (Gesture Cutting through Textual Complexity) with Ircam’s ismm team, on the EUR-ArTeC project 'Habiter (avec) Xenakis' and on Ircam’s REACH programme.
CV
Pavlos Antoniadis is a pianist, musicologist and creative technologist from Korydallos, Athens, Greece, currently elected Associate Professor of Music Communication and Technology at the University of Ioannina and a collaborator of the team interaction-son-musique-mouvement at IRCAM, Paris since 2014. He holds a prize-winning PhD in musicology from the University of Strasbourg in co-direction with the IRCAM, an MA in piano performance from the University of California, San Diego on a Fulbright Scholarship, and an MA in music studies from the University of Athens. He has conducted post-doctoral research at EUR-ArTeC, Université Paris 8 and at the Technische Universität Berlin – Audiokommunikation as a Humboldt Stiftung Fellow. His current research interests include complexity, embodiment, multimodality, sensor-based interactive technologies, artificial intelligence and biopolitics, with a focus on technology-enhanced learning and performance for musics of the 20th and 21st centuries. He is the author of multiple publications, including two forthcoming monographs from Wolke Verlag and EUR-ArTeC and a collective volume on the music of Anestis Logothetis, and has given over 60 lecture-performances around the world, while pursuing an active performing career.
https://pavlosantoniadis.wordpress.com/
http://ismm.ircam.fr/pavlos-antoniadis/
https://eur-artec.fr/projets/habiter-avec-xenakis/
Vor Ort gelten die Hygieneregeln der TU Berlin:
FG Audiokommunikation
Diese Veranstaltung gehört zur Veranstaltungsreihe:
Forschungskolloquium des Fachgebiets Audiokommunikation
