Edgard-Varèse-Gastprofessur
Die Edgard Varèse-Gastprofessur für Computermusik wurde im Jahr 2000 an die TU Berlin vergeben. Sie wird vom Deutschen Akademischen Austauschdienst (DAAD) finanziert und zielt auf die Internationalisierung von Studium und Lehre. Der Vertrag wurde zwischen dem DAAD, der TU Berlin und dem Rundfunk Berlin-Brandenburg (RBB) geschlossen. Der Gastprofessor wendet sich in erster Linie an die Studierenden der TU Berlin, aber auch an ein breiteres Publikum durch musikalische Veranstaltungen und Aufführungen, durch den Aufbau internationaler Verbindungen und durch die Zusammenarbeit mit Künstlern in Berlin, insbesondere mit Gästen des Berliner Künstlerprogramms des DAAD. Die Monographie Musik als Ars Scientia - Die Edgard Varese Gastprofessoren des DAAD an der Technischen Universität zu Berlin 2000-2006 von Björn Gottstein ist unseren Gästen der ersten Jahre gewidmet.
Daniel Mayer
Wintersemester 2022/23
Seminare:
- Selected Chapters on Sound Synthesis, Processing, Spatialization, and Multi-parameter Control
- Metaperspectives of Sound Design with the Computer
Mehmet Can Özer
Sommersemester 2022
Seminare:
- Techniques and History of Electroacoustic Music
- Improvisation with/for Computers
Paloma López & Leslie García (Interspecifics)
Wintersemester 2021/22
Seminare:
- Hybrid sound interfaces to explore natural phenomena
- Beyond sonification: a data-driven ML composition
Thor Magnusson
Sommersemester 2021
Seminare:
- Designing Systems for Musical Performance: Language as an Interface
- Sonic Writing: Technologies of Material, Symbolic and Signal Inscriptions
Paula Matthusen
Wintersemester 2020/21
Seminare:
- Invocations of Space and their Discontents
- Noise :: Feedback :: Noise
Chris Chafe
Wintersemester 2019/20
Seminare:
- Local Networks for Musical Interaction in Ensembles
- Online Jamming and Concert Technology
Atau Tanaka
Sommersemester 2019
Seminare:
- Theory: Embodied Musical Interaction
- Praxis: Interactive performance programming in MaxMSP
Oliver Schneller
Wintersemester 2018/19
Seminare:
- Musique mixte
- Sound in its Own Space
Natasha Barrett
Sommersemester 2018
Seminare:
- 3D sound, environments and human agency in acousmatic music
- Live electroacoustic performance and interactive VR
Gerriet K. Sharma
Wintersemester 2017/18
Seminare:
- Spatial practices I - Komponieren mit Skulpturalen Klangphänomenen in der Computermusik
- Spatial practices II - Raumkonzepte in den Auditiven Künsten - Towards a Shared Perceptual Space (SPS)
Diemo Schwarz
Sommersemester 2017
Seminare:
- Grundlagen und Anwendungen Corpusbasierter Concatenativer Klangsynthese
- Projekte mit Interaktiver Corpusbasierter Concatenativer Klangsynthese
Michael Harenberg
Wintersemester 2016/17
Seminare:
- Algorithmische Komposition unter Live-Bedingungen
- Aktuelle Aspekte musikalischer Virtualisierung
Kaffe Matthews
Sommersemester 2016
Seminare:
- Bicrophonics Theory
- Bicrophonics Practical Workshops
Barry Truax
Wintersemester 2015/16
Seminare:
- The Acoustic and Psychoacoustic Basis of Digital Synthesis and Signal Processing
- Soundscape Composition as Context-based Creation
Caleb Kelly
Sommersemester 2015
Seminare:
- Sound and Materials
- Sound in Music and Sound Art
Pierre Alexandre Tremblay
Wintersemester 2014/15
Seminare:
- A Systemic Approach to Mixed Music: Composition, Performance, Aesthetics, Techniques
- The Studio as Composition Tool: Methods and Music
Miller Puckette
Sommersemester 2014
Seminare:
- Electronic music in live performance
- Signal processing techniques for real-time computer music
Nicolas Collins
Wintersemester 2013/14
Seminare:
- A History of Experimental Music in 10 ½ Chapters
- Hardware Hacking
Kees Tazelaar
Sommersemester 2013
Seminare:
- Terminus as a Point of Departure
- Electroacoustic Music: Origins – Technology – Aesthetics
Guy De Bièvre
Wintersemester 2012/13
Seminare:
- Digital re-enactments of scores originally requiring analog electronics
- Time and space perceptions in sound installations
Marc Battier
Sommersemester 2012
Seminare:
- The invention of artificial sound in the 20th century
- Electroacoustic music in all its forms
Michael Schumacher
Wintersemester 2011/12
Seminare:
- Multichannel Sound Composition
- Ear Training for Computer and Electronic Music
Douglas Repetto
Sommersemester 2011
Seminare:
- Feedback
- Transduction
Ronald Kuivila
Wintersemester 2010/11
Seminare:
- Composition in the Arts
- Seminar in Live Electronics
Jonty Harrison
Sommersemester 2010
Seminare:
- Repertoire and Performance Practice of Acousmatic Music
- Aesthetic Trends in Acousmatic Music
Simon Emmerson
Wintersemester 2009/10
Seminare:
- Living Electronic Music
- Organising Electroacoustic Music
Edwin van der Heide
Sommersemester 2009
Seminare:
- In Between Time and Space
- Sound Describing Space vs Space Describing Sound
Paul Davis
Wintersemester 2008/09
Seminare:
- Audio Workstation Design & Implementation
- Building Tools For Musicians
Fernando Lopez-Lezcano
Sommersemester 2008
Seminare:
- Computer music and digital synthesis
- Sound and Space
Agostino di Scipio
Wintersemester 2007/08
Seminare:
- Dynamical Networks of Sonic Interactions
- Composing in an Ecosystemic Perspective
Norbert Schnell
Sommersemester 2007
Seminare:
- Basics of real-time interactive audio processing
- Real-time interaction with recorded sounds
Eduardo Reck Miranda
Wintersemester 2006/07
Axel Röbel
Sommersemester 2006
Kees Tazelaar
Wintersemester 2005/06
Daniel Teruggi
Sommersemester 2005
Alberto de Campo
Wintersemester 2004/05
Trevor Wishart
Sommersemester 2004
Hans Tutschku
Sommersemester 2003
Gottfried Michael Koenig
Wintersemester 2002/03
David Behrman
Sommersemester 2002
Gerhard Eckel
Wintersemester 2001/02
Diemer de Vries
Sommersemester 2001
Stephan Travis Pope
Sommersemester 2000
